TC Electronic Quintessence


With one of their newest offerings, TC have done something truly wonderful. For those looking for a standard sized, diatonic harmonizer, the only real option, for years, was the Boss PS-6. TC Electronic has entered the harmonizer game with the Quintessence, and have done so in a big way. This new pedal features a simple interface, beautiful sounds, next-level tracking speed. There are few, if any, harmonizers in its class that can match up. Do you want tight sounding harmonies in any key with a multitude of scale and voicing options? Then go get yourself one of these babies

External Control: TONEPRINT/MASH 
Cost: $

HornFX Review

Interface:  4/5
TC did a great job designing this pedal. We love the key knob and its fewer options. While the Sharp switch makes finding keys easier than having to turn a knob through 12 positions, be careful to pay attention to the switches position. Ignoring can burn you. We also love the way the Harmony knob is labeled. Unlike its direct competitor, the Boss PS-6, you do not have to memorize each position on the knob and its function. The mash feature is easy to use, but sometimes that on/off switch can react poorly, as you can accidentally activate Mash easily. They fit A LOT onto this pedal's small face, but were able to figure out one of its most important features: The face of this pedal is easy to read! 

Versatility: 3/5
Although there is the ability to customize with the TonePrint app, and a wide range of scales and voicings to choose from, this pedal is not as versatile as it may seem. If you were to compare it to the PS-6, you would be missing a few things. While it is true that the custom scales are more varies than just major modes, there is one key scale that is missing. There is no chromatic scale, which means that you cannot use this pedal for fixed intervals other than an octave up or down. Also, as with many harmonizers, the farther away the harmonized pitch is from the original pitch the lower the tonal quality. This pedal can only be used an an octave pedal if you utilize the custom TonePrint slots. That being said, this pedal can certainly do a lot. You can choose from many different scale types in the "custom" slot, you can have 3 customized harmonies (including delayed pitches), and you bend harmonized pitches with the Mash feature. While not the most capable harmonizer on the market, it can certainly do a lot.

Tonal reproduction: 4/5
The harmonized notes produced by the quintessence sound true to your original tone. However, there can be an element of sterility and a very slight lack of warmth. As with many harmonizers, the farther away the harmonized pitch is from the original pitch the lower the tonal quality.

Tracking speed: 4.9/5
This pedal has among the best tracking speed we have heard on any pedal. It is as close to perfect as you could ask for. 

Complexity: Medium

Complexity: Medium

Live application: 4/5
For a harmonizer of its size, this is a wonderful pedal for live use. The ease with which you can read its face alone, gives it major points. The ability to customize one scale and three different voicings makes it quite applicable to a wide variety of songs within a given set. One of its few setbacks is actually a product of its high quality tracking speed. Since the tracking speed is so good, the harmonies can sound almost too perfect. This contributes to what may sometimes sound like a robotic end result. The harmonies are so tight in their rhythmic production that the final sonic product may come across as less organic than one would hope.

InterfaceVersatilityTonal ReproductionTracking SpeedLive ApplicationTotal Score
4/53/54/54.9/54/519.9/25

Audio Clips

Both Tenor 1 and Bari 1 are clips meant to highlight the simplistic harmonies that are capable on the Quintessence. With a 4th down in Tenor 1and a 5th up in Bari 1 you can hear the rhythmic and tonal integrity as both instruments play melodies with power chords. 

Tenor 2 uses a voicing of a diatonic 3rd above the note being played. This example really highlights how well the quintessence handles notes that are technically outside the key. Notice how the non-diatonic notes seem to fit beautifully along with the rest of the harmonized melody.

Tenor 3 uses an harmonized note a diatonic 3rd below the original note. However, in this example, the mix knob is turned all the way up so that only the harmony note can be heard. This should clearly highligh the quality of tonal reproduction that the Quintessence has.

Bari 2 uses one of the 3-note voicings (3rd up and 6th up). The mix knob is slightly below even so as to bring the original pitch more to the front of the mix.

Bari 3 uses the pre-loaded setting in the third TonePrint slot. This is a wacky one that shows how you can stretch the capabilities of the Quintessence


Product Information

QUINTESSENCE HARMONY

QUINTESSENCE HARMONY is a state-of-the-art intelligent harmonizer pedal that features expressive MASH technology and powerful TonePrint editing. Capable of beefing up your playing in any musical style from country or southern rock harmonies to Thin Lizzy-esque twin riffs and screaming metal leads, QUINTESSENCE follows your every whim with perfectly harmonized notes in a wide variety of modes and scales. With MASH, QUINTESSENCE can bend the harmonized notes without you moving a finger, momentarily harmonize just a few bars or notes and with our proprietary TonePrint technology you can even choose exotic scales and custom intervals for harmonies. Complex as it may sound, QUINTESSENCE sounds simply stunning – and its intuitive and straightforward design makes it easy to use.

MASH up an Interval

QUINTESSENCE features a MASH footswitch giving you a powerful expressive tool without taking up any extra pedalboard real estate. By default the MASH switch has been assigned to bend your harmonized note up to the next interval within the scale but in TonePrint mode, you can assign MASH to control just about any aspect of the pedal including custom scale steps - both above and below the original harmony. This not only makes the QUINTESSENCE much more versatile as you can switch between two different intervals mid-song without having to fiddle with knobs, but it also lets you do fluid pedal steel bends worthy of the greasiest Nashville honky-tonks out there.

Footswitch Flexibility

QUINTESSENCE quickly and easily lets you toggle between standard latch mode and momentary mode for spontaneously improvised harmonizing on the spot. This is useful when you need a little extra something in the last bar of your solo for dramatic effect or for riffs where you want an emphasis on a certain note or beat. If the boys are back in town and you know you’re going to be playing long harmonized riffs and want to move around the stage a bit, set QUINTESSENCE to latch mode and run to the hills! And don’t worry – MASH works in either setting.

Customize Your Harmony

If you don’t feel like using one of the seven preset diatonic modes commonly used, the Custom scale mode lets you load in whichever flavor of tonality you want your harmonies to follow. When QUINTESSENCE is not in TonePrint mode the Custom mode is set for Locrian. Using the 3 TonePrint slots however, you can set it to a wealth of different custom scales. Feeling major pentatonic or harmonic minor today? Have at it, Hoss!

  • Exceptional dual-voiced intelligent harmony pedal with PolySense and innovative pressure-sensitive footswitch

  • Groundbreaking MASH technology turns footswitch into a pressure-responsive expression controller

  • MASH footswitch lets you easily pitch-bend harmonized notes up to the next interval

  • Choose between latching and momentary footswitch modes for perfect integration with your playing style

  • TonePrint-enabled to let you beam cool signature tones into your pedal with the free TonePrint App

  • Design your own harmonized interval effects from scratch with free TonePrint Editor for PC, Mac* and iPad*

  • Simple, easy-to-use controls let you focus on playing

  • Compact footprint fits on any pedal board

  • True bypass allows for optimum clarity and zero high-end loss when the pedal is off

  • Works flawlessly with guitar and FX loop signals

  • Optional buffered bypass mode prevents high frequency loss from long cable runs

  • Analog-Dry-Through maintains total integrity of analog dry signal path even when effect is engaged

  • 3-Year Warranty Program*

  • Designed and engineered in Denmark

Product info taken from the TC Electronics website.